{"id":5262,"date":"2019-08-30T14:42:58","date_gmt":"2019-08-30T21:42:58","guid":{"rendered":"http:\/\/jffsf.org\/2019\/?p=5262"},"modified":"2020-07-24T06:08:37","modified_gmt":"2020-07-24T13:08:37","slug":"blue-hour","status":"publish","type":"post","link":"https:\/\/jffsf.org\/2019\/blue-hour\/","title":{"rendered":"BLUE HOUR"},"content":{"rendered":"<p><strong>[Archive &#8211; JFFSF 2019]<\/strong><br \/>\n\u2605 Oct.13, 2019 Sun @ 1:20PM [San Francisco Premiere]<br \/>\n2019 | 92 min | with English Subtitles | Directed by Yuko Hakoda<br \/>\n<\/p>\n<hr \/>\n<p>Director Yuko HAKOTA makes her feature film debut in <em>BLUE HOUR<\/em>, where HAKOTA uniquely and masterfully gouges raw emotion mixed with reality and fantasy as she depicts natural scenery and memory of people through children\u2019s eyes: contrasting sentiment and humor of adults losing their innocence. The film was shot beautifully by Ryuto KONDO, a director of photography of Cannes Palme d&#8217;Or Winner for <em>SHOPLIFTERS<\/em>. SUNADA, a 30-year-old married woman goes on a homecoming road trip with her extremely cheerful friend KIYOURA and confronts her childhood memory that she left behind in her old home. Through reunion of her family and time spent with KIYOURA, she starts to see life and death more colorfully.<br \/>\n&nbsp;<\/p>\n<style>.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }<\/style>\n<div class='embed-container'><iframe src=\"https:\/\/www.youtube.com\/embed\/xqf4apN2nCk?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/div>\n<p>&nbsp;<br \/>\n<img decoding=\"async\" src=\"http:\/\/jffsf.org\/2019\/wp-content\/uploads\/2019\/08\/bluehour-poster.jpg\" alt=\"bluehourposter\" width=\"680\"\/><\/a><br \/>\n&nbsp;<br \/>\n<img decoding=\"async\" src=\"http:\/\/jffsf.org\/2019\/wp-content\/uploads\/2019\/08\/bluehour_kaho.jpg\" alt=\"bluehour\" width=\"680\"\/><\/a><br \/>\n&nbsp;<br \/>\n<img decoding=\"async\" src=\"http:\/\/jffsf.org\/2019\/wp-content\/uploads\/2019\/08\/bluehour_still2.jpg\" alt=\"bluehour\" width=\"680\"\/><\/a><br \/>\n&nbsp;<br \/>\n<span style=\"font-size: 8px; color:#666;\">\u00a9 BLUE HOUR Film Committee<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>[Archive &#8211; JFFSF 2019] \u2605 Oct.13, 2019 Sun @ 1:20PM&#8230;<\/p>\n","protected":false},"author":3,"featured_media":5266,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-5262","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-live-action"],"_links":{"self":[{"href":"https:\/\/jffsf.org\/2019\/wp-json\/wp\/v2\/posts\/5262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jffsf.org\/2019\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jffsf.org\/2019\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jffsf.org\/2019\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jffsf.org\/2019\/wp-json\/wp\/v2\/comments?post=5262"}],"version-history":[{"count":5,"href":"https:\/\/jffsf.org\/2019\/wp-json\/wp\/v2\/posts\/5262\/revisions"}],"predecessor-version":[{"id":5703,"href":"https:\/\/jffsf.org\/2019\/wp-json\/wp\/v2\/posts\/5262\/revisions\/5703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jffsf.org\/2019\/wp-json\/wp\/v2\/media\/5266"}],"wp:attachment":[{"href":"https:\/\/jffsf.org\/2019\/wp-json\/wp\/v2\/media?parent=5262"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jffsf.org\/2019\/wp-json\/wp\/v2\/categories?post=5262"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jffsf.org\/2019\/wp-json\/wp\/v2\/tags?post=5262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}