{"id":4466,"date":"2018-08-22T15:03:16","date_gmt":"2018-08-22T22:03:16","guid":{"rendered":"http:\/\/www.jffsf.org\/2018\/?p=4466"},"modified":"2020-07-24T06:20:28","modified_gmt":"2020-07-24T13:20:28","slug":"director-naoko-nobutomo","status":"publish","type":"post","link":"https:\/\/jffsf.org\/2019\/director-naoko-nobutomo\/","title":{"rendered":"Naoko Nobutomo (Director)"},"content":{"rendered":"

Naoko Nobutomo<\/strong>
\nDirector<\/p>\n

\n

Screenings & Special Appearances by Director Naoko Nobutomo<\/strong><\/p>\n

\u2605 Oct.5, 2019 Sat @ 12:00PM [San Francisco Premiere]
\nI Go Gaga, My Dear<\/a><\/strong><\/em>
\n2018 | 102 min | with English Subtitles | Directed by Naoko Nobutomo<\/p>\n

\u2605 Oct 6 (Sun) 5:00pm
\nFortune in Disguise – My Cancer and Tokyo Tower<\/em><\/a><\/strong>
\n2009 | 46 min | with English Subtitles | Directed by Naoko Nobutomo<\/p>\n

\n

Naoko Nobutomo was born in 1961 in Kure City, Hiroshima. After graduating from The University of Tokyo in 1984, she started her career in film production and went on to creating numerous documentary programs. Her personal documentary: Fortune in Disguise – My Cancer and Tokyo Tower<\/em><\/a><\/strong> won the Silver World Medal at the New York Festivals and the Galaxy Honors for Recommended Programs from the Japan Council for Better Radio and Television. Her other documentaries have explored controversial social themes such as the North Korean abduction of Japanese citizens, social withdrawal, early-onset dementia, Internet caf\u00e9 refugees, the Akihabara “otaku” culture, and asexual males. This is Nobutomo’s first theatrical film.
\n 
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 <\/p>\n

\"\"<\/a>
\nI Go Gaga, My Dear<\/a><\/strong><\/em>
\n 
\n\"\"
\nFortune in Disguise – My Cancer and Tokyo Tower
\n<\/a><\/strong><\/em><\/p>\n


\n\u00a9 2018 NETZGEN \/ FUJI TELEVISION NETWORK \/ KANSAI TELECASTING CORPORATION
\n\u00a9 Fuji Television Network
\nAll rights reserved.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Naoko Nobutomo Director Screenings & Special Appearances by Director Naoko…<\/p>\n","protected":false},"author":3,"featured_media":5425,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,6],"tags":[23,39],"class_list":["post-4466","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentary","category-guests","tag-director","tag-guest"],"_links":{"self":[{"href":"https:\/\/jffsf.org\/2019\/wp-json\/wp\/v2\/posts\/4466","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jffsf.org\/2019\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jffsf.org\/2019\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jffsf.org\/2019\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jffsf.org\/2019\/wp-json\/wp\/v2\/comments?post=4466"}],"version-history":[{"count":38,"href":"https:\/\/jffsf.org\/2019\/wp-json\/wp\/v2\/posts\/4466\/revisions"}],"predecessor-version":[{"id":5724,"href":"https:\/\/jffsf.org\/2019\/wp-json\/wp\/v2\/posts\/4466\/revisions\/5724"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jffsf.org\/2019\/wp-json\/wp\/v2\/media\/5425"}],"wp:attachment":[{"href":"https:\/\/jffsf.org\/2019\/wp-json\/wp\/v2\/media?parent=4466"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jffsf.org\/2019\/wp-json\/wp\/v2\/categories?post=4466"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jffsf.org\/2019\/wp-json\/wp\/v2\/tags?post=4466"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}